Budding photographer David Bailey lands a contract with 'Vogue' magazine in 1962 and chooses inexperienced model Jean Shrimpton for his first shoot. Despite having a wife, Bailey and Jean form a close bond, and their unconventional photoshoots in New York with fashion editor Lady Clare Rendlesham spark controversy. However, Vogue editor Ailsa Garland recognizes Bailey's innovative style and overrules Lady Clare, leading to a legendary creative partnership in the Swinging Sixties.
We'll Take Manhattan
Jean Shrimpton and David Bailey's romance unfolds in this cinematic exploration of their iconic 1960s relationship.
