António de Macedo was a prominent filmmaker in the New Portuguese Cinema movement, known for experimenting with diverse genres such as western spaghetti, esoteric allegory, supernatural, and science-fiction. Despite facing financial challenges without state subsidies, he ultimately abandoned filmmaking in the 1990s.
Nos Interstícios da Realidade
Manoel de Oliveira, a prominent figure in the New Portuguese Cinema movement, experimented with various genres, including westerns, spaghetti, allegories, supernatural themes, and science fiction.
