The newly-elected director of a cemetery becomes convinced that he can orchestrate the demise of living plot owners by switching the colored push-pins on a cemetery map, marking the transition from white (living) to black (dead).
I Bury the Living
In this chilling film, a cemetery director named Robert Kraft makes a disturbing discovery: altering the planogram to show plots as occupied can actually lead to the untimely demise of their owners.
